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Gaming videos selection on YT

2 min read

Highest earner on Youtube ? As the kids have shown, the videos are just the start. Ryan now has a line of branded toys, clothing and home goods sold at Target, Walmart and Amazon, a spinoff television show on Nickelodeon and a deal with Hulu to repackage his videos. Nastya, who gets six-figure checks from sponsor brands including Dannon and Legoland, will be launching a line of toys and mobile game, and publishing a book next year. Last year, she moved with her parents from Krasnodar, Russia, and now lives in Boca Raton, Florida. Videos with children in them average almost three times as many views as other types of videos from high-subscriber channels, according to a Pew Research Center study done this year. Another Pew study revealed that 81% of parents with children 11 or younger let their kids watch YouTube.

It’s difficult to call Once Upon a Time in Hollywood by a single genre, but then again, isn’t that the case with most Quentin Tarantino films? However, we’d be remiss to not include “comedy” when talking about Tarantino’s ninth venture. Brad Pitt in particular offers up a hilarious performance in the film set against the summer of 1969. In particular there’s one scene with a dog, some LSD, and a couple of Manson family killers… damn. That doesn’t sound funny, but we swear, it’s hysterical.

This is a fake music video created by comedy hip-hop group, ?The Lonely Island. In case you’ve forgotten, these were the same funny guys who brought you hit song spoofs like “D*ck In A Box” and “Mother Lover.” The song features R&B singer Akon, performing with The Lonely Island members Andy Samberg and Jorma Taccone. You can also catch cameo appearances by celebrities Akiva Schaffer, Jessica Alba, Blake Lively, and John McEnroe. This sketch appeared on “Saturday Night Live” as a digital short in 2011. As the title suggests, the song is about some dorky guys who are very excited because they finally got to have sex. See extra cool clips on yt.

Best clip for a song in 2019 ? One of the year’s warmest success stories: when Georgia released Started Out, the first single from her second album for indie Domino, at the end of 2018, it became a surprise Radio 1 hit. So did its follow-up, About Work the Dancefloor, prompting the label to push her album to 2020 to give the singles time to breathe. AWtD is a fine teaser for a record that is worth the wait, showing off Georgia’s newfound focus on songcraft and the depth of her references as a producer (the satisfyingly meaningless title is her tribute to the robotic proclamations of Detroit techno forefathers Cybotron). Lacing the juddering pulse of adrenaline with her vulnerable vocal delivery, AWtD puts Georgia in the big, Robyn-shaped pop leagues.

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